the wheel in the sky keeps on turning

September 5th, 2007, 12:07 pm

One of my least favorite things to do in the world — only slightly more tolerable than being strapped to a chair and forced to listen to Vogon poetry — is waiting around all day for service/tech/sales/uniformed people to come and service something/install something/sell something/shoot something.

They like to give you these “windows” of time, like “sometime around the Fifth of September, give or take a week”, and it’s pretty much impossible to get any work done while you’re sitting around waiting them to make their “window”, even if you work out of the house.

I have a sneaking suspicion that these service people actually get a perverse pleasure out of knowing that their crappy little fifteen minute repair job is going to devour six or seven hours of your life … and that’s assuming they don’t get lost and have to call you fifteen times on their cell phone because they can’t figure out the difference between Apple Avenue in Palos Verdes and Orange Avenue in Pasadena.

At this very moment I am sitting in my chair waiting for some satellite installer to come and upgrade my dish and give me a nice, spanking new HD DVR for my DirecTV and HD rig.

This makes me nervous.

This makes me nervous because it is the first time since subscribing to DirecTV eight years ago that someone other than myself has installed my satellite system. I’m what you call a Type-Tech-A personality, which means that I always, always, always build my own computer systems, repair my own computer systems, install my own satellite dishes, realign my own satellite dishes, etc.

Since some stranger is scheduled to come and fiddle with my own fucking equipment, I have some personal growth to take care of. I have to learn to let go. To trust. To delegate. All those mature types of things. I’m an adult. I can do it. I can grow.

And if the guy does anything even remotely stupid (which is likely) I will calmly retrieve my mature kitchen knife, maturely stab him in his stupid little eye, and maturely kick his ass off my property so I can install my own dish. Five LNBs and all.

quit messing with the classics, morons

July 27th, 2007, 10:10 am

You know, I’m getting really tired of greedy companies trying to squeeze more money out of fans of classic films and television by constantly reissuing them in ever more ridiculous “super-duper remastered rejiggered repulsive regurgitated” editions.

But what really ticks me is off is when the studio and/or filmmakers go back and try to “update” them with new effects, or new editing, or whatever.

Worst case scenario: Paramount is issuing Star Trek: the original series Season 1 on HD-DVD this November, for a whopping US$220. But what really offends me is that they’ve decided to re-do ALL the visual effects with modern CGI.

Why the holy fuck would anyone want to take a classic 60s show which was produced with sweat and tears with the best technology of its time and throw it all out of joint by pasting modern crap over it? Not only is that extremely disrespectful to the artists who worked on it at the time, but it is going to look ridiculous against the 60s hair styles, sets, and rubber gorillas that Captain Kirk fought.

What’s next, airbrushing out the beehive haircuts and putting digital trousers on all the women?

Leave well enough alone, and find some taste and restraint, guys. Weren’t the Star Wars “Special” Editions bad enough?

pegg

July 7th, 2006, 10:15 am

Simon Pegg’s newest project is the dodgily-titled Hot Fuzz, due from Working Title in 2007. A glance at the synopsis for the film elicits a resounding … meh. Still, the track record of the Pegg/Wright duo is stellar, to say the least.

For my Yank readers, actor/writer Simon Pegg and director/writer Edgar Wright are probably going to be most familiar from Shaun of the Dead, and Simon has had guest roles in a smattering of other international productions, including Band of Brothers and Mission: Impossible 3.

But for me — and for many of my British pals — Simon and Edgar are most admired for their truly awesome (and horrifically short-lived) UK sitcom Spaced, alongside the equally supreme Jessica Stevenson (who made a protracted cameo in Shaun).

Let me put it gently: Spaced fucking rules. Written by Simon and Jessica and Edgar, the “sitcom” is basically a massive geekout of in-jokes, hidden references, homages, and mimicry — not just limited to the dialogue and acting, but including the camera, lighting, and music as well. Sometimes the humour is entirely contained in a camera move, or the framing of a shot, a poking homage to some cult classic. Spaced is no ordinary sitcom, with the heavy use of Steadicam and contrasty lighting visually leading the way out of the cardboard studio sets of the conventional sitcom into much different territory. There’s no laugh track either, which means the comedy has to work doubly hard to get the viewer to laugh. But you laugh. Oh, yes, you laugh.

Sometimes the comedy is so subtle, so “inside”, that if you don’t know the film or show it’s referencing you’re completely lost. For example, there is an hysterical sequence in which Jessica’s character, Daisy, gets a new job at a taco joint, only to realize that all her fellow employees are just like the characters from One Flew Over the Cuckoo’s Nest. It’s handled so subtly that, if you haven’t seen Cuckoo or you don’t get why the silent Indian guy is so disturbing to Daisy, you just get lost. Of course, as the episode progresses, Daisy becomes more and more horrified as events in the taco joint play out like the movie.

And the Star Wars references. Oh, the Star Wars. Fear them, respect them, for they are legion. Simon is a big old classic Star Wars fan, and inside jokes, references, homages, and story arcs abound surrounding the movies. Pegg’s disillusionment with Lucas after the Phantom Menace debacle also plays a big part in the second series of the show, which opens with Pegg’s character Tim ritually burning all his Star Wars toys after being “betrayed” by Lucas for ruining his favourite series with Phantom.

There’s quite a few notable guest stars from the UK comedy scene as well. My favourite: Bill Bailey as comic shop owner (and Tim’s boss) Bilbo (yes, Bilbo), who must regrettably fire Tim in the second series when Tim reduces a boy to tears for innocently asking to purchase a Jar-Jar Binks doll.

Do these jokes sound stupid to you? If so, these aren’t the droids you’re looking for; move along, move along. If you’ve been giggling and squirming in your seat throughout this post, I think it’s time you took a peek at this show. Unfortunately, if you’re in the States, things get tricky. If you have a DVD player and TV set capable of playing Region 2 PAL discs, you can pre-order the re-release of the collector’s edition complete series at a very reasonable price from Amazon.co.uk or HMV or one of the other online retailers. If you don’t, you might try a Torrent search or something similar, though wouldn’t it be nice to lend your support to the artists by purchasing it?

We’ll see if Pegg and Wright keep up the side when Hot Fuzz releases next year. In the meantime, we can continue to appreciate them (and Jessica Stevenson) for the geek masterpiece that is Spaced.

(We will return to normal American English starting with the next post …)

it’s all over

June 27th, 2006, 10:55 am

A couple weeks ago the BBC announced the cancellation of the long-running BBC1 comedy quiz show They Think It’s All Over.courtesy of BBC.co.uk

All Over was one of my first favorites when I began my longstanding TV exchange with my friend Danny, back in 1999. And it remained an eagerly-anticipated highlight through the following years.

For those of you unfamiliar with the quiz comedy format, it’s like this: there’s a captain who asks questions and sets challenges of a small panel of two teams, each chaired by a permanent team captain, and one or more guests. Every quiz comedy show is built around a consistent theme; in All Over’s case, it’s the theme of sports. The guest teammates are invariably plucked from the UK sporting world, and have included some big names over the years. Anyway, these two teams “compete” against each other to incur the most points and be declared winner for the episode. It’s all a bit like a themed game show, only it isn’t.

In truth, it’s a farce. There are no prizes. The two teams compete against one another for nothing at all. Oftentimes, they’re so busy developing elaborate jokes that they forget the question they were asked in the first place. The whole quiz format is an elaborate set-up for everyone involved to simply create comedy, a hoax game show whose only purpose is to laugh.

The whole concept is inimitably British. No other country could produce such an oddball and seemingly pointless program[me], where the entire point of the game is absolutely nothing at all. The structure leads nowhere, or rather to nothing more fulfilling than to receive meaningless points (in some of the other quiz comedy shows, like Never Mind the Buzzcocks, points are given or taken away sometimes on a whim just for amusement). All they care about is being funny — the format is merely a framework in which to work their delirium.

All Over was perhaps my favo[u]rite in the quiz comedy lineup in the beginning. Some episodes … I don’t know if I’ve ever laughed so hard. Sometimes I was convulsing so badly that I feared I might rupture something, genuinely feared that I was going to harm myself. One of the most famous “challenges” in the show was the Feel the Sportsman challenge, where two members from a team were blindfolded, and then had to guess the name of the sports personality by touch alone; by pawing at them.

Just consider the comic possibilities of that challenge for a moment.

And tiebreakers — oh, boy did I hope for a tiebreaker episode, because in the event of a tie there was always some ridiculous physical challenge the two captains had to compete in to break the tie. Once — I nearly wet myself — the two captains were put in these inflatable Sumo wrestler costumes and made to wrestle. But since the costume was really just a giant skin-colo[u]red balloon surrounding them, every time they collided they would bounce off each other like helium balloons. Okay, maybe it sounds stupid, but it was hugely funny, dangerously and lethally funny.

Then things began to unravel. First one, then the other of the longtime team captains left the show. Ultimately, for the season last fall, host Nick Hancock left to be replaced by Lee Mack.

I didn’t like Lee Mack. And when you don’t like the host, things start to take a nosedive.

So the show I loved so much started to kind of stumble and lose ground. And then, a couple weeks ago, the axe fell. Which, actually, I think is a bit harsh. Couldn’t they have moved it to BBC2, gotten rid of Mack, and started afresh, perhaps tweaked the format a bit? Did they really have to kill and bury the thing altogether? Guess they thought they did. It makes me a bit melancholy.

So much laughter, so much absurdity. So many fabulous episodes.

They think it’s all over … it is now.

The HDD of the DVD is more savage than the HDD of the TIVO

May 20th, 2006, 6:31 pm

Lots and lots of you out there use TiVos and you think they rock. RIght on. If that’s your speed that’s great.

But my own approach is somewhat different and, for me, much more rewarding.

Before I get to that approach, though, I think I’ve mentioned on this lame little blog that I have this completely awesome recording exchange thing with a good friend of mine in Oxford (that is, that town with the university located midway between London and Cardiff), Danny. We’ve been perfecting it since 1999, the grim dark times of … [shiver] … tape.

(I won’t go into the cost and inconvenience involved in mailing packages of VHS cassettes back and forth across the Atlantic, but suffice to say we didn’t request as much programming of each other then.)

Then came the light. The light of recordable DVDs. We began to request more shows from each other. Digital frisbees were hurled from Los Angeles to Oxford with happy abandon. Good times were had by all. Postal costs were reduced practically to nonexistence.

Which leads me to my version of TiVo: HDD/DVD recorders. I have a Panasonic DMR-E85 with a hard disk that can record up to 54 hours of content (at SP mode). That content can reside on the hard drive as long as I wish it to, during which I can edit it, give it a name, choose a thumbnail still, and other rudimentary editing tasks. Then, when the fancy or whim strikes me, I can blow it over to a DVD-R, which can burn up an entire 2 hours worth of SP content to an 8x disc in a bit over ten minutes. Or I can choose to add shows to discs one at a time; I needn’t do it all at once. Then when the disc is full, I finalize it (which takes just under two minutes), and it flowers into a fully-compliant video DVD which will play in every DVD player I’ve tried.

You see, it’s that last ability where my system leaves TiVo behind, and why I don’t understand TiVo’s popularity over HDD/DVD Recorders: portability. With TiVo, you can watch to your heart’s content — but only on the television to which the TiVo is attached. You cannot archive the programming, send it to others, free up the hard drive, share the love.

Or send it to your friend across the Atlantic.

And thanks to the modern miracle that is HDTV, my friend has the pleasure of receiving widescreen programming recorded off downconverted HDTV with picture quality far greater than would be had from standard definition signals (the greatly reduced digital artifacts alone make a huge difference).

While the UK is only just now about to launch into HDTV themselves, they’ve had 16×9 widescreen for about five years now, which means that 98% of the content I receive from Danny is anamorphic widescreen, making the experience much more cinematic and dramatic than conventional 4×3 pictures.

This is going to sound corny, but what is so rewarding about my exchange with Danny is that I know the stuff I send him is going to blow him away, and he’s getting to see these things months in advance of his peers. A couple weekends ago, for example, he finally blew out his hoarded backlog of Season 2 Lost episodes in one twelve-hour geekout, bringing him up to about the early April broadcasts. Conversely, Season 2 of Lost only just recently debuted on Channel 4 (in other words, episodes broadcast in the States way back in October last), meaning that Danny can strut about, smugly proclaiming that he’s long since seen episodes others will have to wait weeks or even months to see. That rocks.

Okay. You can bittorrent them, or get them off the usenet. But there is nothing like the sheer pleasure of receiving this enticing parcel in the mail, with a mysterious customs label affixed to it, and then ripping it open to discover a heap of recorded joy within. Believe me. And the whole meaning of our exchange is that I do all the work to put together his shows, and he does all the work to put together mine, and it’s complete reciprocation.

Anyway, in a very roundabout way, my point is this: if any of you don’t yet have a TiVo and are considering buying one, do at least consider the possibility of an HDD/DVD Recorder instead, such as my Panasonic. I’ve never regretted not being part of the TiVo crowd, because I think my HDD/DVD Recorder takes it one step better.

Time to go burn some discs for my friend.

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It’s kinda like X-Men only with Alex P. Keaton’s second girlfriend

May 3rd, 2006, 10:24 am

It’s a funny thing about memories. Sometimes you don’t know why some remain so powerful, so ever-present, while so many others fade away, rarely to be recovered. They don’t necessarily follow any kind of logical rank, with the more important or momentous memories at the forefront, and the more trivial or inconsequential farther behind. Some of my most powerful memories are of the most mundane or simple of things, like a snapshot in time that would never make it into Time.

One of those peculiarly powerful memories has always bobbed just near the surface of my consciousness, teasing at my mind at the strangest of times, like when I’m driving the car, or busting my ass remodeling the house. I have no idea why it’s remained so near the surface, or why it’s such a powerful memory, but it’s often intrigued me, because there was a puzzle in the memory that remained tantalizingly unsolved. Until a few days ago.

The memory takes me back to my pre-teen years, to 1985 and elementary school life in the small California foothill town where I spent some of my childhood. Many of my friends lived outside of town, and indeed more of the local population lived outside the city limits than within, often down windy dirt roads, clustered in little hamlets or flung out alone, with no-one in sight. I can still feel the discomfort of being thrown about in one friend’s parents’ car or another, trawling the endless curves through the woods. Thinking back on it now, it sounds like the place was a shithole, and maybe it was. It didn’t seem that way to me at the time.

It was down one of these long, windy roads that this particular memory finds me, spending the night with a friend at his parents’ house way out in the country. I don’t remember what we did. I don’t remember what we ate. But I do remember — quite powerfully — lying on his living room floor and watching this amazing shot from the beginning of a science-fiction show, and thinking it was the most amazing thing I’d ever seen.

In this particular shot, one of the main characters falls into a swimming pool, and all these bolts of electricity shoot out from his body.

That’s it. That’s all I remember. Sure, a whole episode of the show followed that shot (which I think was part of the opening titles) but it’s that one single shot that managed to imprint itself so powerfully in my mind. So powerful, indeed, that it takes little effort for me to cast myself back to that night in 1985, lying on that living room floor in a strange house with its strange smells, and the feeling of excitement I had at seeing this amazing thing on television and wanting to know more, wanting to know why I hadn’t seen this amazing show before.

To this day, I don’t know why that moment made such an impact on me. Memory is a strange and mysterious thing. Perhaps it was that electric feeling of excitement coursing through me which induced my mind to really work at etching the moment into the library of my thoughts. There were a few other places, other times, when other tv shows and films had an equal impact on my susceptible gray matter — few, though, with the power of this memory.

Strangely, I don’t think I ever did manage to see another episode of this mysterous television show. I was a dumb kid; I’d probably flitted off to my next interest, and for the moment the memory was shelved, waiting to be dusted off years down the road, when it was too late. I eventually thought I’d never figure out what the show was, but the other day, while I was at Wikipedia looking something or other up, a word popped into my mind: misfits.

Misfits of Science

Within moments I’d had a fifteen-year mystery solved: the show was Misfits of Science , a short-lived science-fiction adventure that aired on NBC in the Autumn of 1985, chronicling the adventures of a group of teenagers endowed with superheroic powers. It’s now probably most well-remembered as an early vehicle for Courteney Cox, who played a young woman with telekinetic abilities.

You’re probably all laughing at me by this point; “Jesus, man, everybody knows about that show. What kind of wanker spends fifteen years trying to remember a show? Ever heard of Google, asshat?”

Okay, so it’s pathetic. I admit that now. Everyone else in the whole universe except me would have instantly known what this image in my mind was from. And there are probably tapes and torrents and everything else floating around with episodes from the show, that I could get if I wanted to.

But … I don’t. I’m afraid that if I go back and see it, it’s sort of going to, well, suck. And then this memory I have of which I’m quite fond will be tarnished by the grim reality of mediocrity and worldly lameness.

So, pathetic post that this may be, that little memory of that dude falling into the swimming pool and electrocuting himself is one of those “childhood memories” which we generally like to cherish, and it was great fun to so suddenly and abruptly realize, after all these years, which show I really was watching all those years ago, on the living room floor of my friend’s house.

It’s like solving a long-standing mystery.

news of the death of the british sitcom have been greatly exaggerated

April 19th, 2006, 4:00 pm

The IT CrowdLast December or thereabouts, on BBC2 — or thereabouts — an entire evening was devoted to the demise of the British situation comedy, and why. And then a bunch of other stuff celebrating this “dead” art form.

They came to the conclusion that the reason for its demise was due to the following factors:

  • the rise to dominance of the American sitcom (with tons more episodes per season, huge writing staffs, large budgets, and Eddie)
  • the rise of alternative comedy, like The Royle Family and The Office (which are sitcoms without a live audience, but that’s just me)
  • other reasons that I can’t remember because I have a low attention span

Boy did they time their declarations badly. Because, just a handful of weeks later — early February of this year to be exact — Channel 4 dropped an atomic bomb on the tv comedy world, and half the planet is still reeling from the fallout.

I’m talking about The IT Crowd, which is not only a ray of sunshine, a beam of hope, a warm spot in a progressively colder world, for fans of British comedy, but also a phaser stun blast, a nibble of Soylent Green, a surprise ankh in the Ultima box, for geeks.

Because, you see, The IT Crowd is absolutely jammed with more geek references than a Wil Wheaton blog post. Ever wanted a sitcom with Linux references, with Atari 2600 references, with Boing Boing and Slashdot references, with vintage computers lying all over the set and a star who wears Space Invaders characters on his t-shirt? No? Well, too bad, because you got it.

Here’s the premise: a dork, Roy, and a super-dork, Moss, work as IT engineers in the basement of a London corporation. Different-type-of-dork Jen, newly recruited to the company, is sent to head up the department. She knows nothing about computers and is a “people person”. The dorks know nothing about people and are “computer persons”. Comedy ensues.

There’s something sexy about Jen, as well, in the midst of all her totally fearless self-deprecating comedy, which is awesome. A woman who is terribly funny, and completely unafraid to totally humiliate herself in the most absurd ways on television, who somehow is sexy through it all. She’s like Gillian Anderson with a silly laugh that turns into a snort.

For Brits, congratulations, you got an awesome show. For Americans, unless you Torrent it or something, sorry. At this point, I’m not aware of it being picked up for any North American channels.

Other people beside myself and my friend Danny must have liked it as well: it’s been commissioned for a second series. I’ve had to make room at the Table of TV Godliness, right next to Spaced, which is great, because Simon Pegg and Jessica Stevenson were getting lonely up there all alone.

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HD Hot Sauce, now available in the UK!

April 17th, 2006, 9:23 am

My dear friend Danny — my longtime partner in International TV Exchange crime — recently forked out for a complete overhaul of his home theater, the centerpiece of which is now a spanking new 50-inch plasma hi-def set.

The thing is, since Danny lives in Oxford (you know, that Inspector Morse place), he’s got nothing to watch in actual HD until late May, when Sky Digital are scheduled to drop round and install the new HD receiver. I think actual bona fide HD broadcasting is due the following day. He’s practically running up the walls, waiting to really put his new plasma baby to the test, and I can’t blame him his impatience.

I remember when I first got my HD set way back in 2001. I’d had an HD DirecTV receiver for ever (since 1998), but was downconverting to a standard definition 16×9 set. But, thanks to a location here in Los Angeles too close to the hills, I actually had no local reception of HD channels (excepting NBC), seriously limiting my selection, when I did finally put myself in debt for my 34-inch direct display. Now, of course, DirecTV offers four of the locals and a growing number of other HD channels, so thankfully my days in the wilderness are behind me.

But regardless of my early limited choices, HDTV has become such an integral part of the viewing process that I can’t imagine living without it. It’s kind of like going back to Bud Light after trying English pub ale. And, of course, how could we endure watching DVDs off anything but a progressive-scan, anamorphic display? Perish the thought.

And now it would seem that our friends in the United Kingdom of Great Britain and Northern Ireland have now, also, seen the light. It looks like tons of UEFA football matches are going to switch to HD basically immediately, and unlilke the feeble, disinterested, sloth-like growth of programming that occurred in the US, it would seem that UK HD availability is going to debut with a bang and not a whimper. I’m chuffed to bits for my friend, and also a little wistful, because once HD enters your life, you can never go back again.

Danny has put some photos chronicling his epic undertaking here. They’re quite fun.